You'll Never Find Me (out Mar 14) is a low budget Australian thriller set in one location (a rundown demountable home) with just two characters. Didn't mind the dynamic between the pair but the narrative is contrived. Grade: B-.

Love Lies Bleeding (out Mar 14) is a love story (which works) with a few other crime/drama elements bolted on (which don't work). Set in 1989, it's centred on two young women, one a gym manager and one a body builder, who fall in love. Wasn't sold on the director (weird sound, visual choices) but liked the two leads, Kristen Stewart and Katy O'Brian. Grade: B-.

Imaginary is a horror flick about an evil teddy bear.  The actors are solid (young Pyper Braun is particularly good) but the script is nonsense.  A mishmash of ideas stuck together weak glue.  Hard to rationalise character’s emotions and actions.  Grade: C+.

How to Have Sex (out Mar 7) is not to be missed. It's the story of three 16-year-old British girls who go on a drunken "schoolies" style island holiday in Greece. Sensational, natural performances. It also has something to say about it has something to say about sexual consent, party culture, peer pressure, jealously, responsibility, alcohol, and friendships. Grade: A-.

The Great Escaper (out Mar 7) is based on the true story of Bernard Jordan, an 89-year-old World War II veteran from England who "escaped" from his nursing home and attended the 70th anniversary of the “D-Day” Normandy Landings in France. The film is underwhelming... except for the performances of British stars Michael Caine and Glenda Jackson. Grade: B-.

Cabrini (out Mar 7) isn't covering enough to justify a 145-minute runtime - it rehashes the same subplots again and again. Still, it's a semi-decent true story about a nun in New York City who fights the "establishment" to help the poor communities. Grade: B-.

Dune: Part Two (out Feb 29) is a winner. A few subplots are rushed (e.g. Florence Pugh) but this a "must watch on the big screen" epic that wants to be more than just action and entertainment. There's an array of interesting themes bolstered by great performances in the foreground (loved Timothée Chalamet again) and bold production values in the background. Grade: A-.

Four Daughters (out Feb 29) is nominated at the Oscars for best documentary feature and is about a single mother from Tunisia who saw two of her four offspring indoctrinated by the Islamic State. Not sure I fully understood the characters but like the creative approach. It has the vibe of a movie which is part documentary, part dramatization, and part behind-the-scenes filmmaking. Grade: B+.

Subtraction (out Feb 29) is a rain-filled Iranian flick about a married couple who find they are the spitting image of another married couple. It's a bonkers scenario woven into a very serious family drama. It's weird enough to hold your attention and wonder what will happen next. Grade: B+.

Baghead (out Feb 22) has a decent idea at its core - a young woman finds a ghoul in the basement who can bring back the dead (for 2 mins only). A shame the characters are so boring, and their actions so contrived. Grade: C.