Reviews


Directed by: Ken Kwapis
Written by:Abby Kohn, Marc Silverstein
Starring: Ben Affleck, Jennifer Aniston, Drew Barrymore, Jennifer Connelly, Kevin Connolly, Bradley Cooper, Ginnifer Goodwin, Scarlett Johansson, Justin Long
Released: February 12, 2009
Grade: C

Warning: The views expressed in this review are solely those of Matthew Toomey and may not be a true reflection of the general public.

He’s Just Not That Into You is a dreadful film. It’s about a bunch of shallow, superficial people trying to justify to themselves why they can’t find the perfect guy/girl. Some of them are borderline psychotic. This isn’t a drama though. It’s packaged as some fluffy romantic comedy which is supposed to make us feel good. I left the theatre feeling angry.

The film is based on the self-help book which was first published in 2004. The two people responsible, Greg Behrendt and Liz Tuccillo, got the idea from an episode of Sex And The City. I haven’t read the book and I have no desire to having seen this film. I don’t want people thinking I’m on some tirade against "chick flicks" so I will confess at this point that I liked the Sex And The City television series. It has the depth and intelligence that this film is sorely lacking in its exploration of friendships and relationships.

There are nine high-profile actors in this ensemble so let me quickly rush through them. There’s a married guy being seduced by a young wanna-be singer. There’s a married woman trapped in a loveless marriage. There’s a man and a woman who are in a long-term relationship but disagree over whether they should tie the knot. There’s a real estate agent who doesn’t know where he stands. There’s a chick who dates guys she meets on MySpace. There’s a bar manager helping a neurotic young girl understand what men think.

It all adds up to a waste of time. Is there any reason why it needed to be a whopping 129 minutes in length? The ending is the worst part about this movie. They try to wrap everything up in a neat little package to reaffirm our belief that if we’re nice people, we’ll find happiness and if we cheat on our spouses, we’ll be miserable for the rest of our lives. These fantasy type films have their place in our world but I object to this one in particular. It’s just too phoney.

As much as I disliked He’s Just Not That Into You, it has ticked one box in that it will generate discussion. It inspired me to write this review and I have shared my thoughts with several friends since I saw it. I would rather have seen this film, which fired me up, than something that left me feeling more ho-hum. I just love talking about movies.

This film was released in the United States last weekend and it topped the box-office with a very strong showing. When I attended a preview screening earlier this week, many laughs could be heard. For this reason, once again, I think I’m in the minority. Am I just a miserable old Grinch? Or am I just one of the few people who are just not that into this.

 


Directed by: Jonathan Demme
Written by:Jenny Lumet
Starring: Anne Hathaway, Rosemarie DeWitt, Maher Zickel, Bill Irwin, Anna Deavere Smith, Debra Winger
Released: February 12, 2009
Grade: B-

Last month, I saw a film called Bride Wars. There is no question that it is one of the worst films in the history of cinema. I must sound like I’m over exaggerating but trust me I’m not. I didn’t end up writing a full length review because (1) I’d rather spend my time talking about decent movies, and (2) I couldn’t think of enough negative adjectives to adequately describe it.

I’m mentioning Bride Wars because I don’t want anyone to confuse it with Rachel Getting Married. They are similar because they both involve a wedding and they both star Anne Hathaway (The Princess Diaries). Whilst I’m not a huge fan of this film either, it has reaffirmed my belief that Hathaway has talent as an actress. In line with today’s economic times, we’ll just treat Bride Wars as a bad debt and move forward.

This is a very important film for Anne Hathaway as she has earned her first Academy Award nomination. She has also picked up numerous critics awards. It’s the kind of role that was always going to generate award season buzz. She plays a young woman who has battled depression, anorexia and an addiction to drugs. Her name is Kym and for the past year, she’s spent most of her time in a rehabilitation centre.

Kym has been released for the weekend so she can attend the wedding of her older sister, Rachel (DeWitt). It’s going to be a relatively small ceremony at her father’s house. A small group of family and friends have been invited. Kym’s arrival throws the wedding preparations upside down. She is immediately upset that Rachel hasn’t asked her to be the made of honour and the fact that her sister is receiving so much affection has left her feeling unloved. You’ll sense that fireworks are imminent.

There are a few really great scenes in this film. I’ll mention one in particular. The night before the wedding, many of those involved with the wedding go out to a celebratory dinner at a restaurant. A microphone is passed around the table and each guest tells a humorous story about the bride or groom. When Rachel gets her chance to speak, I was cringing in my seat. I couldn’t quite tell whether she was being sincere or whether she was looking for attention. There was an awkward silence both on screen and in the audience.

These terrific sequences are contrasted by moments of shear boredom. I think they show about ten non-stop minutes of dancing during the finale which takes place at the wedding reception. I wanted to know more about these characters and whether they had any hope of healing old wounds. I didn’t care at all about the wedding itself. It’s as if writer Jenny Lumet, daughter of legendary director Sidney Lumet, has only just scraped the surface.

Directed by Jonathan Demme (The Silence Of The Lambs), Rachel Getting Married grabbed my attention but in the end, it never delivered the emotional punch line that I was anticipating.

 


Directed by: Sam Mendes
Written by:Justin Haythe
Starring: Leonardo DiCaprio, Kate Winslet, Kathy Bates, Michael Shannon, Kathryn Hahn, David Harbour
Released: January 22, 2009
Grade: A

If I were to sum up Revolutionary Road in a single sentence, I’d say it was about a young couple in the 1950s having some serious marital problems. To describe the film so simply though would be an injustice to the filmmakers. This is a deep film with an intricate story and complex characters. It left me with much to think about.

I could spend hours analysing the key figures but I do my best to provide a quick summary. Frank (DiCaprio) and April (Winslet) fit the definition of a model family. They have two children, a boy and a girl, and they have a nice home in a well-to-do neighbourhood. Frank has a standard office job whilst April is a house mother. They are close with their next door neighbours and often invite them over for drinks.

They may look like an ideal couple but Frank and April are going through somewhat of a mid-life crisis. The hopes and dreams they once had have been replaced with a life of monotony and predictability. There’s nothing left to excite them.

The building tension is relieved when April suggests that they move to France. She can get a job as a secretarial assistant and Frank can take a break and spend time with the kids. Frank thinks it’s a great idea and they start making plans.

Their proposal doesn’t sit well with their friends and colleagues. They can’t understand why they want to "escape" their current life. Their concerns rub off on both Frank and April who now find themselves filled with doubt. Will going to Paris really make them happy? Will it fix the deep-seeded problems that are slowly driving them apart?

As much as I liked this film, I have to warn people that it is extremely heavy going. I felt like I needed to see an Adam Sandler film after walking out the cinema just to lighten things up. It’s both dark and depressing. It will probably hit those hardest who have been through such experiences in their own lives.

The reason Revolutionary Road is so impressive is because of the powerful performances from Leonardo DiCaprio and Kate Winslet. It’s a far cry from the last time they teamed up – 11 years ago for Titanic. Their bitter arguments are excruciatingly difficult to watch. I felt like walking out of the cinema – not because I hated the movie but because I wanted to give them some space to sort out their difficulties.

The emotional outbursts from both DiCaprio and Winslet are contrasted by equally awkward scenes where they keep to themselves. The communication between them has broken down and you can tell from their demeanour that they are melancholic. I couldn’t "get inside their heads" and I think the reason was because these people were just as lost and confused.

There is one other character worth pointing out – Michael Shannon plays John Givings, a once gifted mathematician who has since been institutionalised with psychological problems. He meets April and Frank on two occasions and his brutally honest remarks about their lifestyle have a lasting impact. It’s a career-defining role for Shannon.

Director Sam Mendes hasn’t made a bad film. His three previous credits were American Beauty, Road To Perdition and Jarhead. The guy knows how to leave an impact and Revolutionary Road continues his perfect streak.

 


Directed by: David Koepp
Written by:David Koepp, John Kamps
Starring: Ricky Gervais, Greg Kinnear, Tea Leoni, Billy Campbell, Kristen Wiig, Dana Ivey
Released: February 12, 2009
Grade: B

Bertram Pincus (Gervais) is a cynical, miserable individual. To put it simply – he hates interacting with other people. There’s a scene early in the film where a woman is rushing to the elevator in his apartment building and she asks him to hold the doors open. What does Bertram do? He quickly presses the close door button and goes on his merry way.

When you think about it, Bertram has an ideal job. He’s a dentist. He gets to shove things down people’s throats and he enjoys the fact that they can’t talk back to him. The only problem is that he has to avoid the other dentists that he works with.

After going into the hospital for a routine colonoscopy (ouch), Bertram wakes up and finds that something is different. To use a famous line from The Sixth Sense, he "can see dead people". When he asks his doctor if anything when wrong during his procedure, she confesses that he did die for "just a little bit". As a result of his short trip to the after-life, he can now see a small group of people who are trapped between the two worlds.

As you can image, these ghosts are thrilled that Bertram can see them. They want to use him to help communicate with their loved ones. They can resolve past misdeeds with the hope that they will then move on to whatever awaits them.

Doctor Pincus wants nothing to do with them however. He loathes communicating with living people let alone dead people. Dressed in a tuxedo, a ghost named Frank (Kinnear) puts a proposition to Bertram. He’ll make sure all the other ghosts stay away but in return, he must do him a favour. Bertram has to find a way to break up Frank’s ex-wife, Gwen, (Leoni) and her new boyfriend (Campbell). What’s the reason you ask? Frank’s worried that he’s not the right guy for her.

Bertram’s cunning strategy is to offer himself as the alternative. He thinks he can use his charm to win over Gwen’s affections. It doesn’t go as planned of course and you’ll have a few chuckles when you hear some of Bertram’s creepy one-liners. This guy has no idea what he’s doing.

Ricky Gervais is the headline act in this comedy and as much as I love the guy for his work in shows such as The Office and Extras, this isn’t quite his thing. He’s limited by the material and there weren’t too many "laugh out loud" moments. I think Gervais is at his best with an open canvas. I love seeing his impromptu gags at award shows and other major events.

Ghost Town is sluggish to start. For example, the scene where Bertram is told my his doctor that he died during the operation drags on and on. Thankfully, the film finds its feet in the second half and there are some nice, sentimental moments. There was an unexpected twist at the end which I liked also.

It won’t set the world on fire by Ghost Town is worth the price of admission.

 


Directed by: Clint Eastwood
Written by:Nick Schenk, Dave Johannson
Starring: Clint Eastwood, Christopher Carley, Bee Vang, Ahney Her, Brian Haley, John Carroll Lynch
Released: January 22, 2009
Grade: B-

Gran Torino is a film of two halves – the first part is a comedy and the second part is a drama. I don’t think this is the intention of director Clint Eastwood but that’s how I saw it.

The film opens with Walt Kowalski (Eastwood) attending the funeral of his late wife. He stands at the front of the church with a stern, unemotional look on his face. This is one tough cookie. Even his own grandchildren are afraid of him.

I can’t quite think of the right word but I’ll describe Walt as being "old school". He fought in the Korean War, he worked the same job in a car factory for 50 years, and he has an American flag hanging from his front porch.

Walt is also a racist. He lives in a neighbourhood in which a lot of Asian immigrants now live. Instead of welcoming them to his country, Walt sits on his porch and growls at them as they walk past. His actions generated many laughs from the audience at the screening I attended. I have to admit that even I laughed at some of his racist jokes. For a while I thought I was watching Borat 2.

One evening, a fight breaks out the front yard of his next door neighbour’s house. The Chinese family who live there have been targeted by an Asian gang who are looking to recruit their eldest son, Thao (Vang). Walt grabs his shotgun and steps outside with a crazy look in his eye. With his teeth clenched, he tells them all in his croaky voice to "get off my lawn". The gang members slowly retreat to their car and drive away.

The next day, Walt finds himself inundated with gifts from the local Asian community. They believe it was his actions that saved Thao’s life and they want to show their thanks. Walt wants nothing to do with them but they won’t take no for an answer and he reluctantly accepts their food and flowers.

It must have an effect on Walt because he soon becomes friends with Thao and his sister, Sue (Her). He takes Thao under his wing and helps him find his first job. I’m not really sure why Walt has mellowed after decades of resentment. Perhaps he’s realised the error of his ways. Perhaps he’s just lonely. I’m not sure.

There’s an action packed finale which is silly and unnecessary. I can’t say anymore without ruing the story. It doesn’t seem to have bothered the many Americans who flocked to see this film in its opening weekend. It took in a cool $29m which was the biggest opening ever for a Clint Eastwood movie. Does this mean I’m in the minority once again?

There were parts of the film which showed promise but I did have issues with the over-simplified plot and clichéd characters. I thought the acting was terrible. Some of the cast looked like they were reading their lines of cue cards. There’s talk that this may be Clint’s last movie but I hope this isn’t the case. He’s made some brilliant movies in recent years and I’d hate to see him finish up on such a mediocre note.

 


Directed by: Gavin O’Connor
Written by:Joe Carnahan, Gavin O’Connor
Starring: Colin Farrell, Edward Norton, Jon Voight, Noah Emmerich, Jennifer Ehle, John Ortiz
Released: February 5, 2009
Grade: C+

Pride & Glory is a seen-it-all-before drama about good cops trying to triumph over bad cops. I generally like these kind of movies. Two of my all time favourites are L.A. Confidential and The Departed. I had high expectations for this film given the quality of the cast but there’s no suspense whatsoever.

The story begins with four New York City police officers being killed whilst undertaking a raid. We learn pretty quickly that not everything as it appears. These cops were "dirty" and there’s a bunch more who are now covering their tracks. They don’t want any evidence uncovered which can be directly traced to their dishonest activities.

The good guy in all the mayhem is Ray Tierney (Norton). He doesn’t want to get involved but he is forced by his father (Voight), a now retired cop, to head up a taskforce which will investigate the matter. In his search for the truth, he discovers that both his brother (Emmerich) and brother-in-law (Farrell) are hiding valuable evidence.

When it comes to the crunch, Ray will have to decide what comes first. Should he protect his fellow officers and the reputation of his family? Or should he risk his career and expose the deep-seeded corruption which exists within the force?

This moral dilemma that Ray faces is the most interesting patch of the movie. The first half is very slow and many characters are left undeveloped. We go through long periods where we don’t even see certain key characters. It’s a real jumble. We also know where each character stands. The problem with this is that is allows no room for any surprises.

Just when the film starts to show promise, it is ruined by a ludicrous ending full of clichés and unintended laughs. There’s a confrontation where Ed Norton and Colin Farrell slug it out in an empty bar with Irish jig music playing in the background. It’s just as ridiculous as the finale which follows.

Perhaps the film could have been saved by some outstanding performances but none of the cast step up to the plate. They just don’t have enough material or screen time to pull it off. If I had to single someone out, I’d say Jon Voight was the pick of the bunch.

Clocking in at just over two hours, Pride & Glory is an underwhelming movie.