Reviews
Erin Brockovich
- Details
- Written by Matthew Toomey
Directed by: | Steven Soderbergh |
Written by: | Susannah Grant |
Starring: | Julia Roberts, Albert Finney, Aaron Eckhart, Marg Helgenberger |
Released: | April 13, 2000 |
Grade: | B |
Julia Roberts has built herself into one of the great actresses of all time. This may sound like a bold statement but when you look at her box-office draw, she slaughters the opposition. Every film she touches turns to gold - Erin Brockovich is on its way to becoming the fourth film in two years for Roberts to gross over $100m (following My Best Friends Wedding, Notting Hill and The Runaway Bride).
In trying to slip away from her romantic tag, Roberts takes on the role of Erin Brockovich. Based on a true story, Erin has been through several jobs, two husbands and has little to show for it except for two kids. When injured in a car accident she thinks her life may have turned for the better when she hires lawyer Ed Masry with the hope of a big payout. Upon losing, Brockovich reaches breaking point and frustrated with her lawyer, promptly shows up at his office and says she’s not leaving until he employs her to make up for his broken promises.
It is here where she finds her calling. Given the small job of filing some workpapers regarding a real-estate claim, she takes it upon herself to investigate further. What she would uncover was a massive conspiracy from American electrical company PG&E. They had knowledge that runoff from their machines was contaminating the water supply of a small Californian town but had concealed the information for over two decades.
Julia Roberts has never been nominated for Academy Award and it is roles like this that will start her on the road to critical admiration. She is superb in her portrayal and shows a character with determination and spark. Albert Finney (playing Ed Masry) outshines Roberts with his wonderful performance and has the greatest line in the film when he talks of the value of PG&E to both Roberts and an opposition lawyer.
The rest of the cast is great too (including In The Company Of Men’s Aaron Eckhart). Thomas Newman continues his run of successful scores with some beautiful music suiting the film perfectly. Steven Soderbergh (Out Of Sight) gives the movie an interesting, upbeat flavour with his direction. It’s quick, jerky and focuses on characters rather than courtroom scenes and other legal matters.
Despite having all the ingredients, the life of Erin Brockovich isn’t that interesting or inspiring. Again the story has been dazzled up to meet Hollywood standards and it’s really hard to buy. A similar story was told in last year’s A Civil Action about a man and a law firm who risk everything to bring to trial a firm who was found polluting a river. This is basically the same movie except you replace John Travolta with Julia Roberts and add a few more laughs.
This film touches on some interesting points but doesn’t dig below the surface. There’s a moment in a meeting with the townsfolk where one asks - if we win, how do we divide the money between us? A very good question that is never answered. With over 600 people bringing an action against PG&E, you’d think there’d be many who weren’t happy with the judgment but you wouldn’t know looking at this film. Erin Brockovich is made out to be a saint who has the ability to solve everyone’s problems with her charisma.
Surely though there must be more interesting people out there to make movies about. Modern day movies always like to focus on people who hit bottom and then claw their way to the top (ala The Hurricane). I enjoy uplifting stories as much as anyone, but why do they have to be portrayed like gods? I guess I was warned though by the opening line of the movie - “This movie is based on a true story”. It’s the new Hollywood disclaimer.
Final Destination
- Details
- Written by Matthew Toomey
Directed by: | James Wong |
Written by: | Glen Morgan |
Starring: | Devon Sawa, Kerr Smith, Ali Larter, Seann William Scott |
Released: | April 13, 2000 |
Grade: | B |
“In death there are no accidents.....no coincidences....and no escape”.
Death is great subject for movies but doesn’t often get deserving treatment. Final Destination revolves around the theory that death has a design in that it decides when it’s your time and there is nothing you can do to stop it.
There’s a great line during the movie when Alex (Sawa) talks to Clear (Larter) and talks about that one event that sets off the chain. We’ve all thought about it and many of us have come very close and been none the wiser. To use an obvious example, look at plane crashes. Hundreds of people can die in an instant but what of that person who was running late and missed the plane? It happens.
In Final Destination, a group of 40 students and 4 teachers set off on a high-school field trip to France. Leading up to the flight, Alex is uncomfortable and upon boarding the plane has a graphic premonition that the plane will explode just after take off. Freaking out, he gets into a fight with another student, Carter (Smith) and in all, 7 students and a teacher get removed from the flight.
Sure enough the plane goes down but those saved are far from thankful. One by one, each is killed off in unusual circumstances. Death had decided that it was their time and since they cheated the design it’s coming back to finish its work.
It’s probably a shame that such a good idea was turned into a teen thriller flick. Screenwriter Glen Morgan takes the subject matter far too seriously to be acted by a young cast. Devon Sawa was surprising good in his emotional leading role but the rest were unconvincing. I would love to have seen this film with more accomplished actors and a better script.
The surprising plus was the direction of first-timer James Wong - it’s great! His use of close ups, film editing and camera techniques really heighten the suspense. All the death scenes are beautifully crafted. You know they’re going to die but you just don’t know how and trust me, they come up with some pretty creative ways.
It’s certainly better than your average teen movie but again falls down with moronic dialogue. It seems like I say this about every movie but people just don’t talk like this. When Alex’s best friend Chad is killed, his first reaction is to tell Chad’s parents that it wasn’t his fault. Why would you say something like that? Beats me.
You’re not going to find Final Destination in an in-flight movie brochure so as long as you’re not flying anywhere soon, it’s worth a look. It’s hard to believe but as far as the human race has advanced over the last 10,000 odd years, we’re still no closer to finding out what is on the other side. But don’t worry, death will see you soon.
Galaxy Quest
- Details
- Written by Matthew Toomey
Directed by: | Dean Parisot |
Written by: | David Howard |
Starring: | Tim Allen, Alan Rickman, Tony Shalhoub, Sam Rockwell, Sigorney Weaver, Daryl Mitchell |
Released: | April 6, 2000 |
Grade: | A |
Welcome to the TV show Galaxy Quest. Led by Commander Peter Quincy Taggart (Allen), they go through their weekly journeys to the far reaches of the galaxy conquering all before them. The rest of the cast includes Lt Tawny Madison (Weaver), Dr Lazarus (Rickman), Sgt Chen (Shaloub) and Lt Laredo (Mitchell).
The show has been on the air for several years and developed a cult following but they are all tired of their roles. They’re sick of signing autographs and being asked stupid questions by obsessed fans. Alan Rickman has a great scene at the start of the film where he asks himself - how did I get here?
Meanwhile, in a nebula far, far away, a society known as the Thermians have been watching the show for years thinking they are true “historical documents”. When they are invaded by a nasty, intrepid species, they arrive on Earth to seek the help of our illustrious “actors”.
Galaxy Quest is one laugh after another and is a truly inspired idea. It begins as a Star Trek spoof and pokes fun at everything from the suits to the dialogue and ridiculous story lines that flood most of today’s space shows (ala Red Dwarf, Babylon 5 and Star Trek). The film continues its comedy but takes on a sentimental tone midstream as the team heads into outerspace to a world they know all too well.
Tim Allen is a great actor/comedian and is wonderful again here in the leading role as his crossover from TV to the big screen continues to flourish. Sigorney Weaver illustrates her diversity and Alan Rickman steals the show with his brilliant sarcasm.
There are so few good scripts floating around this time of year but Galaxy Quest is certainly one of them. It will leave you with a smile and a warm, fuzzy feeling. The best lines are spread amongst ,all the cast and there are just too many to name but there was a great scene towards the end when Allen and Weaver argue about a metal crunching machine.
The film’s final moment is ironic in itself and tops off a satisfying adventure. Rated PG, Galaxy Quest is open to all audiences and based on the screening I attended, adults are going to find more than plenty to giggle at.
Mission To Mars
- Details
- Written by Matthew Toomey
Directed by: | Brian De Palma |
Written by: | Jim Thomas |
Starring: | Gary Sinese, Don Cheadle, Connie Nielsen, Jerry O’Connell, Kim Delaney, Tim Robbins, Armin Mueller-Stahl |
Released: | April 6, 2000 |
Grade: | C- |
This film is an absolute disgrace. I don’t think I’ve ever been witness to such a shameful waste of time and money. Totally free of any entertainment, Mission To Mars is an odds-on bet to be the worst film of 2000.
The story is set in 2020 when a group of international astronauts travel to Mars for exploration and research. When a group go missing on the surface (led by Don Cheadle), another crew is set out after them (led by Tim Robbins and Gary Sinese). They have their trials and tribulations along the way and upon reaching the surface, lo and behold, they discover the secret of the universe - in that all life started on Mars. Wow!
Brian De Palma is losing all credibility as a director with this film stinking like his previous two - Mission: Impossible and Snake Eyes. The special effects are ordinary. In today’s modern age, when seeing films like The Phantom Menace and The Matrix, I can’t understand how the production company could be satisfied with these visual images. It looks like something from an 80s TV movie.
No one in the cast is funny or interesting and the dialogue is shocking. I can’t think what Sinese and Robbins were thinking to sign on to this movie - I thought much better of them.
I will not waste additional time describing the agony I endured sitting through two hours of total crap. I would prefer to spend the time having teeth extracted than to sit through Mission To Mars a second time. I have now witnessed a movie which sets a benchmark for bad movies to come - one that will live long into the history books. You have been warned...
The Whole Nine Yards
- Details
- Written by Matthew Toomey
Directed by: | Jonathan Lynn |
Written by: | Mitchell Kapner |
Starring: | Bruce Willis, Matthew Perry, Rosanna Arquette, Michael Clarke Duncan, Natasha Henstridge, Kevin Pollak |
Released: | March 30, 2000 |
Grade: | C+ |
The Whole Nine Yards is a terribly misguided attempt to create some new wave of comedy. Matthew Perry is Nicholas “Oz” Oseransky, a struggling dentist with a psychotic wife in a lustless marriage. The new neighbours have arrived and Oz is quick to recognise Jimmy “The Tulip” Tudeski (Bruce Willis). Jimmy is renowned as a wanted hitman who sent 17 men to their graves in Chicago.
A bizarre chain of events is then set off. Oz’s wife promises to divorce him (which is a good thing) if he goes to Chicago to claim a finder’s fee for revealing Jimmy’s location to his archrival Yani Gogolack (Kevin Pollak). Oz goes but soon finds out just about everyone has been hired to kill him but can’t seem to because he’s such a nice guy.
Matthew Perry may have all the charm and great lines on Friends but he cannot cut it on the big screen. I am so tired of his usual shtick - the whole innocent, puppy-dog look. His performance makes the film look like one of those U.S. sitcoms that gets axed after two weeks. Roles like this aren’t going to get him very far - it shows how limited his range is.
Again the rest of the cast is a tired looking, over-the-top ensemble that are just too stupid to be funny with the rare exception of Bruce Willis who is the lone standout. The screenplay relies on lame jokes thrown in with gratuitous nudity - it’s a throwback to the 1980s.
A good comedy is perhaps the hardest type of film to generate because everyone has a different sense of humour and it’s hard to satisfy everyone. This film takes no risks whatsoever. It relies on material that’s been done many times before because it knows the audience will just eat it up (and many will). I love a great comedy as much as anyone but I’m looking for jokes and scenarios that I cannot preempt (ala There’s Something About Mary, Being John Malkovich, Election).
My advice for The Whole Nine Yards is to just get on the net and download the film’s trailer. You’ll get all the best parts, you’ll know the whole story, and you’ll save yourself $12 and two hours.
Stuart Little
- Details
- Written by Matthew Toomey
Directed by: | Rob Minkoff |
Written by: | M. Night Shyamalan |
Starring: | Geena Davis, Hugh Laurie, Jonathan Lipnicki, Estelle Getty, Michael J. Fox, Nathan Lane, Chazz Palminteri |
Released: | April 6, 2000 |
Grade: | B+ |
Stuart Little is a fine example of family entertainment. Based on the classic novel by E. B. White, it’s the story of an orphan mouse named Stuart who is adopted by a human family. He loves life with the Little’s but has an empty space that longs to find out about his real family. He must make the decision whether to stay with the life he has found or go in search of the one he was meant for.
Superb computer graphics bring Stuart to life and you don’t even notice the effects are there. It received an Academy Award nomination for its brilliant visual effects.
I was surprised to find the screenwriter behind this children’s tale was M. Night Shyamalan, the same man who penned The Sixth Sense. I don’t think you could find two films more unlike that came from the same writer. It almost guarantees Shyamalan’s future and I’m really looking forward to his next project.
What works for Stuart Little is direction designed for a younger audience. It’s kept simple with dialogue that’s easy to understand, lots of vibrant colours, costumes and sets, and plenty of action with cute, furry animals. Having grossed over $100m in the United States., it’s been a sure fire hit amongst the kids.
Geena Davis and Hugh Laurie play the live action parents and you’ll have fun guessing the voices of the other characters. Michael J. Fox voices Stuart but keep your ear out for Nathan Lane, Chazz Palminteri, Estelle Getty, Steve Zahn and even Jennifer Tilly.
The only disappointing aspect I had with the film was with the underdeveloped story. It’s not all that exciting and perhaps could have done with some sprucing up and more interesting subplots. It’s the sort of story you could sum up in a 30-minute TV episode, not a full-length motion picture.
Filled with charm and cuteness, Stuart Little has been a kids’ favourite for a long time (in book form) and it will only rise in popularity given this screen adaptation. Take the kids, sit back, relax and enjoy.